Sensation, Attention & Perception (CBSE-NET (Based on NTA-UGC) Psychology (Paper-II & Paper-III)): Questions 165 - 169 of 336

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Question number: 165

» Sensation, Attention & Perception » Depth Perception

MCQ▾

Question

Twenty extremely accurate clocks are locked in two bank vaults (ten in each). A subject who claims to have paranormal powers concentrates on the clocks in one of the vaults, attempting to make them run faster. If she succeeds, she will have demonstrated

Choices

Choice (5) Response

a.

psychokinesis.

b.

precognition.

c.

mesmerism.

d.

clairvoyance.

e.

telepathy.

Question number: 166

» Sensation, Attention & Perception » Depth Perception

MCQ▾

Question

The unconscious perception of stimuli that are too weak to exceed the absolute threshold for detection is known as ________.

Choices

Choice (5) Response

a.

just noticeable difference

b.

difference threshold

c.

subliminal perception

d.

response bias

e.

depth perception

Question number: 167

» Sensation, Attention & Perception » Depth Perception

MCQ▾

Question

Assembling sensations into usable patterns is called

Choices

Choice (5) Response

a.

evaluation.

b.

attention.

c.

sensation.

d.

perception.

e.

habituation.

Question number: 168

» Sensation, Attention & Perception » Perception

MCQ▾

Question

When Jewish subjects tried to remember briefly flashed groups of stimuli, they recognized fewer items when one was a swastika. This was because

Choices

Choice (5) Response

a.

they were concentrating harder on the other stimuli.

b.

their attention span decreased with constant repetition of the stimuli.

c.

they tried to focus the attention.

d.

the stimuli were figures which had no meaning.

e.

their attention was shifted away from other information.

Question number: 169

» Sensation, Attention & Perception » Depth Perception

MCQ▾

Question

The film Star Wars created illusions of depth by quickly changing images of the sizes of planets and starships using the pictorial depth cue called

Choices

Choice (5) Response

a.

relative size.

b.

linear perspective.

c.

parallax.

d.

convergence.

e.

accommodation.

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