Sensation & Perception (AP (Advanced Placement) Psychology): Questions 129 - 134 of 183

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Question number: 129

» Sensation & Perception » Perceptual Processes » Interpretation

MCQ▾

Question

The analysis of information starting with features and building into a complete perception is known as

Choices

Choice (5) Response

a.

bottom-up processing.

b.

top-down processing.

c.

Gregory’s phenomenon.

d.

perceptual expectancy.

e.

size constancy.

Question number: 130

» Sensation & Perception » Perceptual Processes » Interpretation

MCQ▾

Question

A man 6 feet in height will look “tall” when surrounded by others of average height, and “short” among a group of professional basketball players. This is an example of

Choices

Choice (5) Response

a.

context.

b.

apparent vision.

c.

active movement.

d.

adaptation level.

e.

inverted vision.

Question number: 131

» Sensation & Perception » Perceptual Processes » Interpretation

MCQ▾

Question

The bodily depth cue generated by changes in the shape of the lens is called

Choices

Choice (5) Response

a.

aerial perspective.

b.

parallax

c.

accommodation.

d.

retinal disparity.

e.

convergence.

Question number: 132

» Sensation & Perception » Sensory Adaptations » Vision

MCQ▾

Question

The eye bends light through the ________, which does the majority of the bending of the light, and the ________, which fine tunes the light.

Choices

Choice (5) Response

a.

lens, cornea

b.

pupil, iris

c.

lens, pupil

d.

cornea, lens

e.

iris, pupil

Question number: 133

» Sensation & Perception » Attention

MCQ▾

Question

Attention is aroused by

Choices

Choice (5) Response

a.

constant stimulation.

b.

bright stimuli.

c.

subliminal stimuli.

d.

subtle differences in stimuli.

e.

contrast or change in stimulation.

Question number: 134

» Sensation & Perception » Attention

MCQ▾

Question

Television ads that are in black and white are just trying to take advantage of which attention getting technique?

Choices

Choice (5) Response

a.

loudness

b.

motion

c.

subliminal

d.

repetition

e.

contrast

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